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The primary Odissi ''mela'' ragas are ''Kalyana, Nata, Sri, Gouri, Baradi, Panchama, Dhanasri, Karnata, Bhairabi'' and ''Sokabaradi''.<ref>{{Cite book |last=Parhi |first=Kirtan Narayan |title=Odisi Sangita: Kichi Jana Ajana Tathya |publisher=Ink Odisha, Bhubaneswar |year=2007 |pages= |language=Odia |trans-title=Odissi music: Some known and unknown facets |author-link=Kirtan Narayan Parhi}}</ref>

The primary Odissi ''mela'' ragas are ''Kalyana, Nata, Sri, Gouri, Baradi, Panchama, Dhanasri, Karnata, Bhairabi'' and ''Sokabaradi''.<ref>{{Cite book |last=Parhi |first=Kirtan Narayan |title=Odisi Sangita: Kichi Jana Ajana Tathya |publisher=Ink Odisha, Bhubaneswar |year=2007 |pages= |language=Odia |trans-title=Odissi music: Some known and unknown facets |author-link=Kirtan Narayan Parhi}}</ref>

Some of the distinctive and authentic ragas of the Odissi music tradition are : ''Abhiri'', ''Amara, Ananda, Anandabhairabi, Ananda Kamodi, Ananda Kedara, Arabhi, Asabari, Bangala, Baradi, Basanta, Bhairabi, Bichitra Desakhya, Bichitradesi, Bichitra Kamodi, Chakrakeli, Chalaghanta Kedara, Chhayatodi, Chintabhairaba, Chinta Kamodi, Debagandhari, Debakiri, Desa Baradi, Desakhya, Desapala, Dhanasri, Dhannasika, Gauda, Gaudi, Ghantaraba, Gundakeri, Kali, Kalyana, Kalyana Ahari, Kamoda, Kamodi, Kaphi, Karnata, Kausiki, Kedara, Kedaragauda, Kedara Kamodi, Karunasri, Khambabati, Khanda Bangalasri, Khandakamodi, Kolahala, Krusna Kedara, Kumbhakamodi, Kusuma Kedara, Lalita, Lalita Basanta, Lalita Kamodi, Lalita Kedara, Lilataranga, Madhumangala, Madhumanjari, Madhura Gujjari, Madhusri, Madhu Saranga, Madhyamadi, Malasri, Malasrigauda, Mangala, Mangala Dhanasri, Mangala Gujjari, Mangala Kamodi, Mangala Kausiki, Mangala Kedara, Mallara, Manini (Malini), Marua, Megha, Meghaparnni, Misramukhari, Mohana, Mohana Kedara, Mukhabari (Mukhari), Nagaballi, Nagadhwani, Nalinigauda, Nata, Nata Kedara, Natanarayana, Natasaranga, Panchama, Punnaga, Punnaga Baradi, Pahadia Kedara, Panchama Baradi, Paraja, Rajahansi Chokhi, Ranabije, Rasakamodi, Rasamandara, Rasamanjari, Sabari, Saberi, Sankarabharana, Sindhukamodi, Sokabaradi, Sokakamodi, Soma, Sri, Suddhadesi, Surata, Suratha Gujjari, Todi''.<ref>{{Cite book|last=Panda|first=Gopal Chandra|title=Odisi Raga Darpana|date=December 2011|location=Bhubaneswar|language=or|author-link=Gopal Chandra Panda}}</ref><ref>{{Cite book|title=Odisi Raga Sarani|publisher=Odissi Research Centre|year=2004|location=Bhubaneswar}}</ref><ref>{{Cite book|last=Panda|first=Gopal Chandra|title=Odisi Raga Ratnabali|year=2004|location=Bhubaneswar |publisher=Bhagavatī Prakāśanī |language=hi|script-title=hi:ओडिसी राग रत्नावली|oclc=225908458|author-link=Gopal Chandra Panda}}</ref>

Some of the distinctive and authentic ragas of the Odissi music tradition are : ''Abhiri, Amara, Ananda, Anandabhairabi, Ananda Kamodi, Ananda Kedara, Arabhi, Asabari, Bajrakanti, Bangala, Baradi, Basanta, Bhairabi, Bichitra Desakhya, Bichitradesi, Bichitra Kamodi, Chakrakeli, Chalaghanta Kedara, Chhayatodi, Chintabhairaba, Chinta Kamodi, Debagandhari, Debakiri, Desa Baradi, Desakhya, Desapala, Dhanasri, Dhannasika, Gauda, Gaudi, Ghantaraba, Gundakeri, Kali, Kalyana, Kalyana Ahari, Kamoda, Kamodi, Kaphi, Karnata, Kausiki, Kedara, Kedaragauda, Kedara Kamodi, Karunasri, Khambabati, Khanda Bangalasri, Khandakamodi, Kolahala, Krusna Kedara, Kumbhakamodi, Kusuma Kedara, Lalita, Lalita Basanta, Lalita Kamodi, Lalita Kedara, Lilataranga, Madhumangala, Madhumanjari, Madhura Gujjari, Madhusri, Madhu Saranga, Madhyamadi, Malasri, Malasrigauda, Mangala, Mangala Dhanasri, Mangala Gujjari, Mangala Kamodi, Mangala Kausiki, Mangala Kedara, Mallara, Manini (Malini), Marua, Megha, Meghaparnni, Misramukhari, Mohana, Mohana Kedara, Mukhabari (Mukhari), Nagaballi, Nagadhwani, Nalinigauda, Nata, Nata Kedara, Natanarayana, Natasaranga, Panchama, Punnaga, Punnaga Baradi, Pahadia Kedara, Panchama Baradi, Paraja, Rajahansi Chokhi, Ranabije, Rasakamodi, Rasamandara, Rasamanjari, Sabari, Saberi, Sankarabharana, Sindhukamodi, Sokabaradi, Sokakamodi, Soma, Sri, Suddhadesi, Surata, Suratha Gujjari, Todi''.<ref>{{Cite book|last=Panda|first=Gopal Chandra|title=Odisi Raga Darpana|date=December 2011|location=Bhubaneswar|language=or|author-link=Gopal Chandra Panda}}</ref><ref>{{Cite book|title=Odisi Raga Sarani|publisher=Odissi Research Centre|year=2004|location=Bhubaneswar}}</ref><ref>{{Cite book|last=Panda|first=Gopal Chandra|title=Odisi Raga Ratnabali|year=2004|location=Bhubaneswar |publisher=Bhagavatī Prakāśanī |language=hi|script-title=hi:ओडिसी राग रत्नावली|oclc=225908458|author-link=Gopal Chandra Panda}}</ref>

Odissi music is sung through Raganga, Bhabanga and Natyanga, Dhrubapadanga followed by Champu, Chhanda, Chautisa, [[Pallabi]], [[Bhajan]]a, Janana, and [[Gita Govinda]].

Odissi music is sung through Raganga, Bhabanga and Natyanga, Dhrubapadanga followed by Champu, Chhanda, Chautisa, [[Pallabi]], [[Bhajan]]a, Janana, and [[Gita Govinda]].

Odissi music

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